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Not just in terms of f-bombs but in terms of behavior: with a lot of night shoots and the inhumanities of people working 14 hours every day, people get hardened and mean. I wasn't terribly accustomed to the grotesque profanities on film sets.
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I quit the lesser film and went to work on THREE BILLBOARDS.Īccording to the old call sheets, shoot was 33 days in total (which is even shorter than I remember), and for about the first 10 I was terrified of losing my job.
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I somehow finagled it! I was going to work with some of the greatest cinematic geniuses currently working: Martin McDonagh (the writer/director of two of my favorite films, IN BRUGES and SEVEN PSYCHOPATHS), Sam Rockwell (my acting god), Frances McDormand (my mom's favorite actress and probably mine too), and John Fucking Hawkes (he's the guy who's in every movie ever)! If I wasn't going to become the greatest director of all time after watching both Nicolas Winding Refn and Martin McDonagh work, I didn't know what would. But the movie gods were happy with me, and I landed an interview with the first and second ADs and despite the fact I had no actual on-set experience, they offered me the gig a week later. And for that reason, I actually got turned down twice for work. Considering that movie jobs tend to be 12-14 hour days with no breaks, it was hard for me to get in an interview. Shockingly, my little town in North Carolina had simultaneous $12 million films shooting next to each other.
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Now, I was actually working on another film when Three Billboards was hiring personnel.